飞利浦•布吉庸（巴黎北方大学）、贝尔纳•米埃及（法国格勒诺布尔大学）和皮埃尔•莫格林（巴黎北方大学）均为信息和通信科学领域的教授。四年来，他们一直从事创意产业的研究，著有多部有关通信领域的政治经济学、文化产业以及信息通信技术的发展的著作。 石冰怡，毕业于巴黎索邦大学法国文学专业，研究方向为法国游记文学、旅行文学，尤以二十世纪法国文学家作品为主。现任教于杭州电子科技大学外国语学院。

Bringing together ground-breaking essays from across the disciplinary spectrum, Creative Industries chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterp...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

Now undisputedly a classic, the third edition of this essential media studies text scrutinizes the new and ongoing changes to the contemporary landscape of creative economy and cultural production. This edition: * Provides an all-new online reading guide to springboard students into their own research. * Includes brand new examples covering social media, digital publishing, rea...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption...In the process, Hesmondhalgh provides us with an essential toolkit for making critical...(展开全部)

Now undisputedly a classic, the third edition of this essential media studies text scrutinizes the new and ongoing changes to the contemporary landscape of creative economy and cultural production. This edition: * Provides an all-new online reading guide to springboard students into their own research. * Includes brand new examples covering social media, digital publishing, rea...(展开全部)

菲利普·贝松（Philippe Besson），1967—— ，法国年轻作家，迄今为止已创作了十余部作品，几乎每年出版一部。2001年，他的处女作《由于男人都不在了》荣获法国龚古尔罗布莱斯（Emmanuel Roblès）文学大奖。同年，《他的兄弟》进入费米娜文学奖评选的短名单。2003年的《情感淡季》荣获法国RTL-Lire大奖。同年创作的《意大利男孩》入围龚古尔文学奖和梅第奇文学奖短名单。他有五部作品被改编为电影和戏剧。其中《他的兄弟》被曾执导《玛歌皇后》的法国导演帕特里斯·夏侯（Patrice Chereau）改编成电影《死亡诗篇》，并得到2003年柏林电影节银熊奖。

菲利普·贝松（Philippe Besson），1967—— ，法国年轻作家，迄今为止已创作了十余部作品，几乎每年出版一部。2001年，他的处女作《由于男人都不在了》荣获法国龚古尔罗布莱斯（Emmanuel Roblès）文学大奖。同年，《他的兄弟》进入费米娜文学奖评选的短名单。2003年的《情感淡季》荣获法国RTL-Lire大奖。同年创作的《意大利男孩》入围龚古尔文学奖和梅第奇文学奖短名单。他有五部作品被改编为电影和戏剧。其中《他的兄弟》被曾执导《玛歌皇后》的法国导演帕特里斯·夏侯（Patrice Chereau）改编成电影《死亡诗篇》，并得到2003年柏林电影节银熊奖。